A list of Haydn's Concertos
Note: A more important composer of cello works during the classical era was Luigi Boccherini
(1743 - 805) who wrote 13 cello concertos and over 30 cello sonatas. Mozart wrote only one
cello concerto (now lost) and no cello sonatas.
A List of 16 Great Cellists of All Time
Cello Concertos
Cello Concerto No. 1 in C, Hob. VIIb:1 (1761-5)
Mischa Maisky, violin
3. Allegro Molto (6:30)
Not just the first movement, but all three movements are written in sonata form. Haydn
composed this for longtime friend Joseph Franz Weigl, then the principal cellist of Prince
Nicolaus Esterházy's Orchestra.
NOTE: Haydn's first cello concerto is forceful and boisterous, while the second is mellower.
Cello Concerto No. 2 in D, Hob. VIIb:2 (Op. 101) (1783)
Mstislaw Rostropovich, cello. Academy of St Martin in the Fields
1. Allegro moderato (13:30)
2. Adagio (5:20)
Brass Concertos
Horn Concerto No. 1 in D (1762)
Trumpet Concerto in E-flat major (1796) written for his long-time friend Anton Weidinger.
Maurice Andre, trumpet
1. Allegro (sonata form) (6:00)
Anton Weidinger developed a keyed trumpet which could play chromatically throughout
its entire range. Before this, the trumpet was valveless and could only play a limited range
A List of 16 Great Cellists of All Time
Cello Concertos
Cello Concerto No. 1 in C, Hob. VIIb:1 (1761-5)
Mischa Maisky, violin
3. Allegro Molto (6:30)
Not just the first movement, but all three movements are written in sonata form. Haydn
composed this for longtime friend Joseph Franz Weigl, then the principal cellist of Prince
Nicolaus Esterházy's Orchestra.
NOTE: Haydn's first cello concerto is forceful and boisterous, while the second is mellower.
Cello Concerto No. 2 in D, Hob. VIIb:2 (Op. 101) (1783)
Mstislaw Rostropovich, cello. Academy of St Martin in the Fields
1. Allegro moderato (13:30)
2. Adagio (5:20)
Brass Concertos
Horn Concerto No. 1 in D (1762)
Trumpet Concerto in E-flat major (1796) written for his long-time friend Anton Weidinger.
Maurice Andre, trumpet
1. Allegro (sonata form) (6:00)
Anton Weidinger developed a keyed trumpet which could play chromatically throughout
its entire range. Before this, the trumpet was valveless and could only play a limited range
of harmonic notes by altering the vibration of the lips; also called by the name of "natural
trumpet". Most of these harmonic notes were clustered in the higher registers, so previous
trumpet concertos could only play melodically with the high register (e.g. Bach's). Haydn's
concerto includes melodies in the middle and lower register, exploiting the capabilities of the
new instrument.
There were attempts all over Europe around the mid-classical era to expand the range
There were attempts all over Europe around the mid-classical era to expand the range
of the trumpet using valves, but Weidinger's idea of drilling holes and covering them with
flute-like keys was not a success as it had very poor sound quality. Thus the natural trumpet
still had continual use in the classical orchestra while the keyed trumpet had barely any
repertoire. The valved trumpets used today were first constructed and used in the 1830s.
Piano Concertos
Haydn wrote 11 piano concertos but only the last one is considered special.
Piano Concerto No. 11 in D major, Hob. XVIII/11 (1780-83)
Mikhail Pletnev, piano
1. Vivace (8:12)
2. Un poco adagio (8:41)
3. Rondo all'Ungarese (4:38)
Violin Concertos
Haydn's violin concertos are early works, and while decent, are not among his greatest works.
Violin Concerto No. 1 in C major, Hob. VIIa:1 (ca. 1765)
Violin Concerto No. 3 in A major, Hob. VIIa:3 (ca. 1770)
Violin Concerto No. 4 in G major, Hob. VIIa:4 (1769)
Piano Concertos
Haydn wrote 11 piano concertos but only the last one is considered special.
Piano Concerto No. 11 in D major, Hob. XVIII/11 (1780-83)
Mikhail Pletnev, piano
1. Vivace (8:12)
2. Un poco adagio (8:41)
3. Rondo all'Ungarese (4:38)
Violin Concertos
Haydn's violin concertos are early works, and while decent, are not among his greatest works.
Violin Concerto No. 1 in C major, Hob. VIIa:1 (ca. 1765)
Violin Concerto No. 3 in A major, Hob. VIIa:3 (ca. 1770)
Violin Concerto No. 4 in G major, Hob. VIIa:4 (1769)
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